Series 3
Soulution 311 stereo amplifier
Soulution 311 Stereo Smplifier
Highlights
Design
The audio section of the 311 is physically separated from the power supply and digital circuits. In order to reduce interferences to a minimum, these sections are additionally shielded. The power amplifier section as well as its dedicated power supplies are executed in dual-mono layout for optimal channel separation (> 105 dB) which is key for a three dimensional sound stage.
Amplification
The amplification circuit of the 311 is based on the technology used in our Series 5 amplifiers. Current amplification is done in three stages, each with a narrow, almost linear operating range. The high Class A operation supplemented by more than 160,000 µF of storage capacitance results in a nearly infinite impulse response. High-precision idle current management ensures optimal Class A operation for all conditions, without requiring any readjustment in the music signal. Optimal sound is thereby guaranteed immediately from switch on. Control circuits that protect against RF or DC signals at the input, and short circuits at the output ensure safe operation in all situations.
Power supply
A total of six power supplies – optimized for each function – feed the 311 stereo amplifier. Four cutting-edge switched-mode power supplies deliver 1,200 VA of audiophile quality power. They feature high performance filtering at the input and output, and high speed soulution voltage regulators to deliver considerably more stable power than any conventional, transformer-based technology.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W Standby idle 350 W |
Loudspeaker | 2 pair loudspeaker binding posts |
Gain | + 26 dB |
Power output | 120 W @ 8 Ω 240 W @ 4 Ω 480 W @ 2 Ω (dynamic) |
Frequency response (– 3 dB) | 0 – 800 kHz |
THD + N | < 0.001% |
Signal-to-noise ratio | > 120 dB |
Damping factor | > 5,000 |
Output current max | 30 A |
Analog inputs | 1 × balanced (XLR) |
Input impedance | 2 kΩ balanced (XLR) |
Channel separation | > 110 dB |
LINK (remote turn-on) | 2 x phone jack (3.5mm) |
Dimensions (WxDxH) | 430 x 490 x 142 mm |
Weight | ~30 kg |

Soulution 325 Preamplifier
Soulution 325 Preamplifier
Highlights
Philosophy
A preamplifier should only amplify or attenuate the music signal, not change it in any way. No distortion, no hum or noise, at the same time achieving the lowest cross talk and widest bandwidth. The soulution 325 preamplifier elegantly meets these demands.
Layout
Unbalanced design ensures the fewest components in the signal path. Physical separation of the left and right channel provides optimal separation and cross talk performance. High quality relays switch between the inputs. For safety, an audio grade coupling capacitor protects the preamplifier as well as downstream amplifiers and loudspeakers from potential DC-components in source signals..
Volume control
The 325’s volume control uses only high-precision, low-noise metal foil resistors, and it controls both the volume and balance. To block switching peaks during volume changes which may be hazardous to power amplifiers, the 325 is equipped with a second volume control with a PGA (Programmable Gain Amplifier). Active only during the volume control process, it is similar to a potentiometer and enables the volume to be adjusted in smooth, click-free steps. As soon as the new desired level value has been selected, the unit returns control to the precision resistors.
Power supply
A switched mode power supply and audiophile DC-DC converters with linear regulator provide the required supply voltages for the 325 preamplifier. Induction of noise is omitted by physical separation from the analog audio boards and effective shielding. Switched mode power supplies provide supply voltages that are more stable and lower in noise than other power supply technologies.
Theater-Mode
The 325 may as well be integrated in an Audio/Video system. One input can be defined as surround input. Volume and balance settings of the 325 preamplifier will be ignored for the surround Input.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W, Standby ~ 30 W, ON |
Analog inputs | 2 × balanced (XLR) 2 × unbalanced (RCA) 1 × Phono MC (optional) |
Input impedance | 3 kΩ balanced (XLR) 3 kΩ unbalanced (RCA) 10-1260 Ω phono (RCA) |
Digital inputs (optional) | 1 × AES/EBU, 1 × SPDIF, 1 × USB, 1 × Network |
Gain | – 79 to + 10 dB |
Frequency response (– 3 dB) | 0 – 800 kHz |
THD + N | < 0.0001% |
Signal-to-noise ratio | > 120 dB |
Ouput current (Peak) | > 0.2 A |
Channel separation | > 120 dB |
Output impedance | 10 Ω balanced (XLR) 10 Ω unbalanced (RCA) |
LINK (remote turn-on) | 2 x phone jack (3.5mm) |
Dimensions (WxDxH) | 430 x 350 x 142 mm |
Weight | ~15kg |

Soulution 330 Integrated Amplifier
Soulution 330 Integrated Amplifier
Highlights
Philosophy
Most integrated amplifiers combine the functions of volume control, source selection and amplification in single multi-function circuit. Not so the soulution 330 Integrated amplifier. It takes the uncompromising route of separate circuits, combining a dedicated preamplifier, and a dedicated power amplifier in one housing. It is a real soulution product – truly a great amplifier.
Design
The audio section of the 330 is physically separated from the power supply and digital circuits. In order to reduce interferences to a minimum, these sections are additionally shielded. The power amplifier section as well as its dedicated power supplies are executed in dual-mono layout for optimal channel separation (> 105 dB) which is key for a three dimensional sound stage.
Amplification
The amplification circuit of the 330 is based on the technology used in our Series 5 amplifiers. Current amplification is done in three stages, each with a narrow, almost linear operating range. The high Class A operation supplemented by more than 160,000 µF of storage capacitance results in a nearly infinite impulse response. High-precision idle current management ensures optimal Class A operation for all conditions, without requiring any readjustment in the music signal. Optimal sound is thereby guaranteed immediately from switch on. Control circuits that protect against RF or DC signals at the input, and short circuits at the output ensure safe operation in all situations.
Power supply
A total of six power supplies – optimized for each function – feed the 330 integrated amplifier. Four cutting-edge switched-mode power supplies deliver 1,200 VA of audiophile quality power. They feature high performance filtering at the input and output, and high speed soulution voltage regulators to deliver considerably more stable power than any conventional, transformer-based technology.
Volume control
The 330’s volume control uses only high-precision, low-noise metal foil resistors, and it controls both the volume and balance. To block switching peaks during volume changes which may be hazardous to power amps, the 330 is equipped with a second volume control with PGA (Programmable Gain Amplifier). Active only during the volume control process, it is similar to a potentiometer and enables the volume to be adjusted smoothly without clicks. As soon as the new desired level value has been selected, the unit returns control to the precision resistors.
Theatre mode
Theater mode allows users to optimally integrate the 330 with AV systems. In theatre mode, the input signal by-passes the preamplifier section without any adjustment for volume or balance.
Operation
The 330 integrated amplifier is operated via its three front panel buttons and rotary control. Multi-functional, these allow optimisation of the entire audio system, and an ideal set-up of the individual components. All operating modes are indicated on the clear display.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W Standby idle 350 W |
Analog inputs | 2 × balanced (XLR) 2 × unbalanced (RCA) 1 × Phono MC (optional) |
Input impedance | 3 kΩ balanced (XLR) 3 kΩ unbalanced (RCA) 20-1260 Ω phono |
Digital inputs (optional) | 1 × AES/EBU, 1 × SPDIF, 1 × USB, 1 × Network |
Pre-Out | 1 x balanced (XLR) |
Loudspeaker | 2 pair loudspeaker binding posts |
Gain | – 66 to + 36 dB |
Power output | 120 W @ 8 Ω 240 W @ 4 Ω 480 W @ 2 Ω (dynamic) |
Frequency response (– 3 dB) | 0 – 800 kHz |
THD + N | < 0.001% |
Signal-to-noise ratio | > 120 dB |
Damping factor | > 5,000 |
Output current max | 30 A |
Channel separation | > 110 dB |
LINK (remote turn-on) | 2 x phone jack (3.5mm) |
Dimensions (WxDxH) | 430 x 490 x 142 mm |
Weight | ~30 kg |
Series 5

Soulution 590 USB Converter
Soulution 590 USB Converter
Highlights
DSP-Converter
The 590 USB Converter is able to process music files in PCM format with a maximum sampling rate of 192 kHz and a word length of 24bit. A powerful Digital Signal Processor manages communication with the computer. Received data is buffered in a large RAM memory.
Reference Clock
The high-precision clock of the 590 converter ensures optimal sound, using technology adapted from the 540 SACD player. The word clock signal is available at the rear panel BNC socket to allow synchronisation with an external DAC.
Power supply
The 590 is powered via its USB connection to the computer. Extensive filtering is applied to ensure that high frequency noise components and instabilities cannot affect reference clock performance or propagate through interconnecting cables to affect associated devices and degrade sound quality.
Connections
Digital outputs:
1 x SPDIF (RCA), 1 x AES/EBU (XLR), 1 x Optical (Toslink)
Digital inputs:
1 x USB
Clock-Ausgang:
1 x Wordclock (BNC)
USB-Input | |
Sampling rate | 192 kHz |
Bit depth | 24 bit |
SPDIF- Output (RCA) | |
Sampling rate | 192 kHz |
Bit depth | 24 bit |
Impedance | 75 Ω |
Output voltage | 500 mV p-p |
AES/EBU (XLR) | |
Sampling rate | 192 kHz |
Bit depth | 24 bit |
Impedance | 110 Ω |
Output voltage | 500 mV p-p |
Clock (Wordclock) | |
Clock frequency | 22.5 – 24.5 MHz |
Impedance | 75 Ω |
Output voltage | 5 V p-p |
USB driver | v1.22c for Win7 v1.611 for Win7 v2.26 for Win10 |

Soulution 560 D/A Converter
Soulution 560 D/A Converter
Highlights
Philosophy
In many areas the 560 D/A-Converter is based on the same proven technical solutions used in the 745 SACD-Player. It also embodies the same principles in its design: top grade digital interfaces for optimal reception of the music data, a super-precise master clock generator to avoid jitter, intelligent digital signal processing with oversampling technology, and analogue output stages of top end preamplifier quality.
Design
As with its Series 7 sibling the 560 D/A-Converter is packed with cutting-edge technology with one objective – the love of music. The parallels include a consistent dual mono design in the output stages and separate power supplies for digital electronics and the analogue stages. The 560 D/A-Converter adds a digital volume control that allows direct connection to a power amplifier.
Upsampling
Audio data is buffered then upsampled to 24Bit/384kHz. We believe precision of interpolation is more important than high clock rates. Our players and D/A converters use an algorithm from the highly regarded Anagram Technologies followed by Burr Brown D/A converters in a digital symmetric configuration. As we consider the PCM conversion technology as superior, the DSD signals get converted before its final D/A conversion.
zeroφtech
The 560 D/A-Converter is equipped with soulution’s innovative Zero-Phase-Technology. Smallest timing errors provoked by the analog low pass filter of the D/A converter get eliminated. Every D/A converter requires an analog low pass filter in its output in order to suppress high frequency noise and aliasing signals. The 560’s 3rd order bessel filter, with a cut-off frequency of 120kHz, does show a phase shift of up to 15° in the audio band. Due to the Zero-Phase-Technology the phase error of the analog music signal remains below 1°, 20Hz – 100kHz! The Zero-Phase-Technology brings you even closer to the beauty of the source material! The music gets even more realistic and 3-dimensional with a lot of “air” around instruments and voices. As close to the source as possible! No detail gets lost.
D/A conversion
Burr-Brown devices perform D/A conversion only. Their internal upsampling and filter stages are not used. The output currents are converted to voltage and then filtered. With an internal bandwidth of 40 MHz, this current/voltage conversion stage allows best signal-to-noise performance and maximum dynamics in the analogue domain.
Output stage
The wideband output stage of the 560 D/A-Converter has a bandwidth of 20MHz (-3dB). With such speed of response all musical details are reproduced true to life creating a three-dimensional, spatial sound to bring real listening pleasure.
Operation
The 560 D/A-Converter is operated from front-panel buttons and a rotary control. Further functions can be used to optimise and match an entire audio system around different components.
Mains | 100 – 120 V (50 – 60 Hz) 220 – 240 V (50 – 60 Hz) |
Power consumption | < 0.5 W standby 100 W device in operation |
Analog outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
Frequency response | 0 – 200 kHz (DXD) |
THD + N | < 0.002% (20 Hz – 20 kHz) |
Signal-to-noise ratio | > 140 dB |
Channel separation | > 130 dB |
Output impedance | 10 Ω balanced (XLR) 10 Ω unbalanced (RCA) |
Output voltage | 4 VRMS balanced (XLR) 2 VRMS unbalanced (RCA) |
Output current max | 0.2 A (limited by protection circuit) |
Volume control range | 0 to – 79 dB in 1 dB steps |
Digital inputs | AES/EBU, SPDIF-RCA, Optical, USB, Network |
Digital outputs | AES/EBU, SPDIF-RCA, Optical |
Digital formats | WAV, AIFF, FLAC, ALAC, DSF, DFF, DXD, MP3, AAC |
Bit depth/sampling rage max | AES/EBU: 24 bit/192 kHz SPDIF: 24 bit/192 kHz Optical: 24 bit/96 kHz USB: 24 bit/384 kHz, 1 bit/5.64 MHz Network: 24 bit/384 kHz, 1 bit/5.64 MHz |
Dimensions | 442 × 143 × 448 mm (W × H × D) |
Weight | approx. 20 kg |
LINK (remote turn-on) | 12 V control signal |
USB driver | v1.22c for Win7 v1.611 for Win7 v2.26 for Win10 |

Soulution 550 Phono
Soulution 550 Phono
The phono stage with RIAA equalisation required for vinyl playback presents the designer with a formidable technical challenge if it is to correctly and transparently handle the signal from low output moving coil cartridges. Delivering a gain of up to 80 dB (10,000 times) while remaining linear and phase-correct, the amplifier must have an ultra-wide bandwidth, (internal bandwidth 1 MHz/– 3 dB) minimal distortion, optimal channel separation and maximum linearity.
Dual-mono construction
The 550 Phono features unbalanced dual-mono construction with separate power supplies for the left and right channel, guaranteeing the least possible channel crosstalk. Both inputs of the 550 can be configured for moving magnet or moving coil cartridges, with load impedance selectable via the front panel or the remote control for each input individually. A switchable < 20 Hz rumble filter protects loudspeaker cones from potentially damaging long excursions caused by warped records.
Musicality and refinement with no limits
Noise and distortion have no place in vinyl playback, despite the challenges implicit in amplifying such low signal levels. Only then can the full potential of the medium be heard. The richness of sound colours, the dynamism, the refinement. Heard through the 550 Phono, well-produced vinyl shows why for many it is still the medium to beat, unrivalled in its ability to convey emotion and musicality.
Preamplifier grade output stage
If nothing is to be lost at the source of music, then the power supply and the output stage of a phono preamplifier have to be of the highest quality. For the 550 Phono soulution uses identical power supplies and output stages to those employed in the 520 Preamplifier. Optimized for speed and precision the 550 Phono can drive any cable.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
|
Power consumption | < 0.5 W standby 100 W device in operation |
|
Inputs | 2 × RCA (MC/MM configurable) | |
Input impedance | MC: MM: |
10 Ω – 1000 Ω 1000 Ω – 47 kΩ and 0 – 200 pF |
Outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
|
Frequency response (– 3 dB) | 0 – 1 MHz (RIAA equalisation) | |
THD + N | < 0.002% (20 Hz – 20 kHz) | |
Signal-to-noise ratio | 100 dB | |
Channel separation | 60 dB @ 1 kHz | |
Gain max | MC:
MM: |
+ 66 dB @ 1 kHz (XLR) + 60 dB @ 1 kHz (RCA) + 55 dB @ 1 kHz (XLR) + 49 dB @ 1 kHz (RCA) |
Output impedance | 10 Ω balanced (XLR) 10 Ω unbalanced (RCA) |
|
Output current max | 11 VRMS balanced (XLR) 5.5 VRMS unbalanced (RCA) |
|
Output current max | 0.2 A (limited) | |
Dimensions | 442 × 143 × 448 mm (W × H × D) |
|
Weight | approx. 20 kg | |
LINK (remote turn-on) | 12 V control signal |

Soulution 530 Integrated Amplifier
Soulution 530 Integrated Amplifier
Highlights
Philosophy
Most integrated amplifiers combine the functions of volume control, source selection and amplification in single multi-function circuit.
Not so the soulution 530 Integrated amplifier. It takes the uncompromising route of separate circuits, combining a dedicated reference quality preamplifier, and a dedicated reference quality power amplifier in one housing.
It is a real soulution product – truly a great amplifier.
Design
The audio section of the 530 is physically separated from the power supply and digital circuits. In order to reduce interferences to a minimum, these sections are additionally shielded. The power amplifier section is executed in dual-mono layout. The left and right audio channels have their own respective identical boards to deliver a channel separation of >110dB for a three dimensional sound stage.
Amplification
The amplification circuit of the 530 is based on the technology of the 710 and 700 amplifiers. At its core is an innovative voltage amplification stage that consists of linearized amplifiers operating up to a cutoff frequency of 80MHz.
Current amplification is done in three stages, each with a narrow, almost linear operating range. The high Class A operation supplemented by 47,000µF of storage capacitance results in a nearly infinite impulse response. Massive copper bars on the amplifier board and to the speaker terminals ensure that all the power of the 530 is available to drive the speaker.
High-precision idle current management ensures optimal Class A operation for all conditions, without requiring any readjustment in the music signal. Optimal sound is thereby guaranteed immediately from switch on. Control circuits that protect against RF or DC signals at the input, and short circuits at the output ensure safe operation in all situations. The input level is also monitored continuously.
Power supply
A total of nine power supplies – optimized for each function – feed the 530 integrated amplifier. Those supplying the digital and audio circuits are electrically isolated from each other by optocouplers and transformers. Four cutting-edge switched-mode power supplies deliver 2,400W of audiophile quality power. They feature high performance filtering at the input and output, and six high speed soulution voltage regulators to deliver considerably more stable power than any conventional, transformer-based technology.
Volume control
The 530’s volume control uses only high-precision, low-noise metal foil resistors, and it controls both the volume and balance. To block switching peaks during volume changes which may be hazardous to power amps, the 530 is equipped with a second volume control with PGA (Programmable Gain Amplifier). Active only during the volume control process, it is similar to a potentiometer and enables the volume to be adjusted smoothly without clicks. As soon as the new desired level value has been selected, the unit returns control to the precision resistors.
Pre-Out
The soulution 530 integrated amplifier is equipped with pre-out connections which enable subwoofers, tape recorders or other amplifiers to be driven directly by the 530’s preamplifier section, by-passing the power amplifier section.
Surround mode
Surround mode allows users to optimally integrate the 530 with AV systems. In surround mode, the input signal by-passes the preamplifier section without any adjustment for volume or balance .
Operation
The 530 integrated amplifier is operated via its three front panel buttons and rotary control. Multi-functional, these allow optimisation of the entire audio system, and an ideal set-up of the individual components. All operating modes are indicated on the clear display.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W Standby idle 150 W max 1600 W |
Outputs | 2 pairs Cu-terminal, gold plated |
Gain | – 31 dB bis + 42 dB |
Power output | 125 W @ 8 Ω 250 W @ 4 Ω 500 W @ 2 Ω |
Pulse power | > 5,000 W |
Frequency response (– 3 dB) | 0 – 800 kHz |
THD + N | < 0.001% at 50 W @ 4 Ω (20 Hz – 20 kHz) |
IM distortions | < 0.005 % SMPTE < 0.0006 CCIR |
Signal-to-noise ratio | > 120 dB (5 W @ 1 kHz) |
Channel separation | > 110 dB @ 1 kHz |
Damping factor | > 10 000 |
Output current max | 45 A (limited) |
Inputs | 2 × balanced (XLR) 2 × unbalanced (RCA) 1 × Phono (RCA) |
Input impedance | 3 kΩ balanced (XLR) 3 kΩ unbalanced (RCA) Phono configurable |
Dimensions | 442 × 350 × 448 mm (W × H × D) |
Weight | approx. 40 kg |
LINK (remote turn-on) | 12 V control signal |

Soulution 525 Preamplifier
Soulution 525 Preamplifier
Perfect volume control
The 525 owes much to the design of the range-topping soulution 725 Preamplifier. It uses the same volume control which ingeniously combines the smooth fingertip control of variable resistors with the precision and stability of fixed resistor networks. For the 525 we’ve chosen the best performing Vishay Dale resistors with relays of the utmost quality. The end result is volume control that is finely adjustable in 95 steps of 1 dB each, with no perceptible switching clicks. Truly the best of both worlds.
Advanced Switching
Input selection too uses very high-quality relays. The design – which switches ground as well as signal connections – ensures that only the selected input is connected through to the 525 electronics, the remainder being isolated. By buffering all signals immediately after the input, the 525 presents only a minimal load to source devices. Both balanced and unbalanced inputs are available.
Dual-mono construction
As few components as possible in the signal path speak for an unbalanced circuit concept. In this case, the lowest possible stereo conversations can only be achieved with a consequent dual-mono design. The analogue circuits and the associated power supplies of the left and right channels are physically separated from one another and are additionally decoupled with filter networks.
Level and phase correct with all loads
An ideal preamplifier like the 525 maintains perfect level accuracy and phase accuracy regardless of load. But measured values are only part of the story. Ultimate sound quality should always be the first priority. At no time should distortion, noise or hum be allowed to colour the music.
Perfect power
In order to drive the longest of signal cables, the output stage of a preamplifier must be sufficiently powerful to do the job. The 525 employs a powerful, very fast and ultra-wide (2 MHz/– 3 dB) output stage that can drive long cables with ease. We team that with a similarly robust, high specification switched-mode power supply which features high-precision and extremely low-noise linear control circuits. Backed by more than 400,000 μF of storage, the power supply of the 525 provides virtually unlimited pulse power with indiscernible levels of noise.
Audiophile transparency
Musical transparency is pre-eminent in the 525. Colouration is simply not a factor. Control too is at the 525’s heart: stereo imaging precision is exemplary while sound sources appear perfectly focused on the sound stage. Once you audition the 525 you will come to understand the true nature of sound and the importance of the right preamplifier in achieving it.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
|
Power consumption | < 0.5 W standby 100 W device in operation |
|
Inputs | 2 × balanced (XLR) 2 × unbalanced (RCA) |
|
Input Impedance | XLR: RCA: |
820 kΩ 47 kΩ |
Outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
|
Frequency response (– 3 dB) | 0 – 2 MHz | |
THD + N | < 0.00009% (20 Hz – 20 kHz) | |
Signal-to-noise ration | 120 dB | |
Channel separation | 130 dB @ 1 kHz | |
Gain max | + 15 dB | |
Volume control range | + 15 DB to – 79 dB in 1 dB steps | |
Output impedance | 10 Ω balanced (XLR) 10 Ω unbalanced (RCA) |
|
Output voltage | 16 VRMS balanced (XLR) 8 VRMS unbalanced (RCA) |
|
Output current max | 0.2 A (limited) | |
Dimensions | 442 × 143 × 448 mm (W × H × D) |
|
Weight | approx. 20 kg | |
LINK (remote turn-on) | 12 V control signal |

Soulution 520 Preamplifier
Soulution 520 Preamplifier
Highlights
Philosophy
A preamplifier should only amplify or attenuate the music signal, not change it in any way, while meeting the highest technical specifications. No distortion, no hum or noise, at the same time achieving the lowest cross talk and widest bandwidth. The soulution 520 preamplifier elegantly meets these demands and is a benign load for any source component.
Design
Unbalanced design ensures the fewest components in the signal path. Physical separation of the left and right channel provides optimal separation and cross talk performance. High quality relays switch between the inputs. Source signals are buffered directly at the input. For safety, an audio grade coupling capacitor protects the preamplifier as well as downstream amplifiers and loudspeakers from potential DC components in source signals.
Volume control
The 520’s volume control uses only high-precision, low-noise metal foil resistors, and it controls both the volume and balance. To block switching peaks during volume changes which may be hazardous to power amplifiers, the 520 is equipped with a second volume control with a PGA (Programmable Gain Amplifier). Active only during the volume control process, it is similar to a potentiometer and enables the volume to be adjusted in smooth, click-free steps. As soon as the new desired level value has been selected, the unit returns control to the precision resistors.
Output stage
Multi-stage, similar to that used in the reference 720 preamplifier, it achieves very fast, ultra wideband (1MHz/-3dB) amplification and is able to drive the longest interconnects with ease.
Phono-MC-Preamplifier
Similar to the 720, the phono preamplifier of the 520 is also multi-stage using the highest grade components.
Operation
The 520 is operated via its front-panel buttons and rotary control. Multi-functional, these allow optimisation of the entire audio system, and an ideal set-up of the individual components.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
|
Power consumption | < 0.5 W standby 100 W device in operation |
|
Inputs | 2 × balanced (XLR) 2 × unbalanced (RCA |
|
Input Impedance | XLR: RCA: Phono: |
3 kΩ 3 kΩ adjustable |
Outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
|
Frequency response (– 3 dB) | 0 – 500 kHz | |
THD + N | < 0.001% (20 Hz – 20 kHz) | |
Signal-to-noise ration | > 120 dB | |
Channel separation | < 120 dB | |
Gain max | balanced unbalanced |
– 83 … + 16 dB – 89 … + 10 dB |
Volume control range | + 15 DB to – 79 dB in 1 dB steps | |
Output impedance | 10 Ω balanced (XLR) 10 Ω unbalanced (RCA) |
|
Output voltage | 14 VRMS balanced (XLR) 7 VRMS unbalanced (RCA) |
|
Output current max | 0.2 A (limited) | |
Dimensions | 442 × 143 × 448 mm (W × H × D) |
|
Weight | approx. 18.5 kg | |
LINK (remote turn-on) | 12 V control signal |

Soulution 511 Stereo Amplifier
Soulution 511 Stereo Amplifier
… just a razor-thin fraction behind our reference designs of Series 7, this was the design goal we have set for the 511 stereo amplifier. The 511 is equipped with the same “switched-mode” power supply technology, optimized for audiophile applications, as our series7 products. Additionally it is optimized for shortest “signal paths” for the music signal but as well for shortest paths and optimal flow of the current supplying the amplifier stages. Get inspired by the uncompromising music playback and enjoy the diversity and natural beauty of the music. A sound experience, of which everyone will be enchanted. Convince yourself.
Key Features
- “Switched-mode” power supply (4 x 600 VA) optimized for use in audio amplifiers
- more than 500’000 µFarad of storage capacitance in the power supply
- Peak current rating of more than 60 A
- versatile: stereo-, mono- und dual-mode
- Impulse power rating > 3’000 Watt (stereo/dual), > 6’000 Watt (mono)
Highlights
Operating modes
The 511 stereo-amplifier can be used in three different setups:
- Stereo-mode: 140 W @ 8 Ω, 280W @ 4 Ω, 560W @ 2 Ω per channel
- Dual-mode: 140 W @ 8 Ω, 280W @ 4 Ω, 560W @ 2 Ω per channel
- Mono-mode: 560 W @ 8 Ω, 1’120 W @ 4 Ω, 2’000 W @ 2 Ω
511 Stereo/Dual | 511 Mono | |
---|---|---|
Mains | 100 – 240 V (50 – 60 Hz) | 100 – 240 V (50 – 60 Hz) |
Power consumption | < 0.5 W standby idle 100 W max 1600 W |
< 0.5 W standby idle 200 W max 2000 W |
Outputs | 2 pairs Cu-terminal, gold plated |
2 pairs Cu-terminal, gold plated |
Gain | + 26 dB | + 32 dB |
Power output | 2 × 150 W @ 8 Ω 2 × 300 W @ 4 Ω 2 × 600 W @ 2 Ω |
600 W @ 8 Ω 1200 W @ 4 Ω 2000 W @ 2 Ω |
Pulse power | > 2 × 2000 W | > 4500 W |
Frequency response (– 3 dB) | 0 – 800 kHz | 0 – 1.6 MHz |
THD + N | < 0.001% at 50 W @ 4 Ω (20 Hz – 20 kHz) |
< 0.001% at 200 W @ 4 Ω (20 Hz – 20 kHz) |
IM distortions | < 0.005 % SMPTE < 0.0006 CCIR |
< 0.005 % SMPTE < 0.0006 CCIR |
Signal-to-noise ratio | 108 dB (5 W @ 1 kHz) | 108 dB (5 W @ 1 kHz) |
Channel separation | > 120 dB @ 1 kHz | |
Damping factor | > 10,000 | > 5,000 |
Output current max | 45 A (limited) | 45 A (limited) |
Inputs | 1 × balanced (XLR) | 1 × balanced (XLR) |
Input impedance | 2 kΩ balanced (XLR) | 2 kΩ balanced (XLR) |
Dimensions | 442 × 270 × 448 mm (W × H × D) | 442 × 270 × 448 mm (W × H × D) |
Weight | approx. 30 kg | approx. 30 kg |
LINK (remote turn-on) | 12 V control signal | 12 V control signal |

Soulution 501 Mono Amplifier
Soulution 501 Mono Amplifier
Highlights
Philosophy
The 501 mono amplifier embodies many of the same technology insights and advances of the Series 7 to deliver an outstanding performance in its own right.
Amplification
The amplification circuit of the 501 is based on the technology of the 710 and 700 amplifiers. At its core is a proprietary voltage amplification stage that consists of linearized amplifiers operating up to a cutoff frequency of 80 MHz.
Current amplification is done in three stages, each using a very small and thus almost linear operating range. The high Class A operation supplemented by 47,000µF of storage capacitance results in a nearly infinite impulse response. Massive copper bars on the amplifier board and to the speaker terminals ensure that all the power of the 501 mono amplifier is available to drive the speaker.
High-precision idle current management ensures optimal Class A operation for all conditions, without requiring any readjustment in the music signal. Optimal sound is thereby guaranteed immediately from switch on. Control circuits that protect against RF or DC signals at the input, and short circuits at the output ensure safe operation in all situations. The input level is also monitored continuously.
Power supply
A total of six power supplies – optimized for each function – feed the 501 mono amplifier. Those supplying the digital and audio circuits are electrically isolated from each other by optocouplers and transformers. Two cutting-edge switched-mode power supplies deliver 1,200W of audiophile quality power. They feature high performance filtering at the input and output, and six high speed soulution voltage regulators to deliver considerably more stable power than any conventional, transformer-based technology.
Operation
The 501 mono amplifier is operated via a rotary control on the front panel. It can be switched on remotely with other soulution devices via the LINK system.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W standby idle 100 W max 1000 W |
Outputs | 2 pairs Cu-terminal, gold plated |
Gain | + 26 dB |
Power output | 125 W @ 8 Ω 250 W @ 4 Ω 500 W @ 2 Ω |
Pulse power | > 5,000 W |
Frequency response (– 3 dB) | 0 – 800 kHz |
THD + N | < 0.001% at 50 W @ 4 Ω (20 Hz – 20 kHz) |
IM distortions | < 0.005 % SMPTE < 0.0006 CCIR |
Signal-to-noise ratio | 108 dB (5 W @ 1 kHz) |
Channel separation | > 120 dB @ 1 kHz |
Damping factor | > 10,000 |
Output current max | 45 A (limited) |
Inputs | 1 × balanced (XLR) |
Input impedance | 2 kΩ balanced (XLR) |
Dimensions | 442 × 143 × 448 mm (W × H × D) |
Weight | approx. 22 kg |
LINK (remote turn-on) | 12 V control signal |
Series 7

Soulution 760 D/A Converter
Soulution 760 D/A Converter
Highlights
Design
In many areas the 760 D/A-Converter is based on the same proven technical solutions used in the 745 SACD-Player. It also embodies the same principles in its design: top grade digital interfaces for optimal reception of the music data, a super-precise master clock generator to avoid jitter, intelligent digital signal processing with oversampling and Zero Phase technology, analogue output stages of top end preamplifier quality and a husky power supply.
The 760 D/A-Converter is packed with cutting-edge technology with one objective – the love of music. The parallels include a consistent dual mono design in the output stages and separate power supplies for digital electronics and the analogue stages. The 760 D/A-Converter adds a digital volume control that allows direct connection to a power amplifier.
Oversampling
A powerful SHARC DSP performs the 8 x oversampling to 24 bit/352.8 kHz or 24 bit/384kHz, depending on the digital input signa,l with the utmost precision. We believe precision of interpolation is more important than high clock rates. Our players and D/A converters use an algorithm from the highly regarded Anagram Technologies followed by Burr Brown D/A converters in a digital symmetric configuration. As we consider the PCM conversion technology as superior, the DSD signals get converted before its final D/A conversion.
zeroφtech
The 760 D/A-Converter is equipped with soulution’s innovative Zero-Phase-Technology. Smallest timing errors provoked by the analog low pass filter of the D/A converter get eliminated. Every D/A converter requires an analog low pass filter in its output in order to suppress high frequency noise and aliasing signals. The 760’s 3rd order bessel filter, with a cut-off frequency of 120 kHz, does show a phase shift of up to 15° in the audio band. Due to the Zero-Phase-Technology the phase error of the analog music signal remains below 1°, 20 Hz – 100 kHz! The Zero-Phase-Technology brings you even closer to the beauty of the source material! The music gets even more realistic and 3-dimensional with a lot of “air” around instruments and voices. As close to the source as possible! No detail gets lost.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
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Power consumption | < 0.5 W standby 60 W device in operation |
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Analog outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
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Frequency response | 0 – 200 kHz (DXD) | |
THD + N | < 0.0005% (20 Hz – 20 kHz) | |
Signal-to-noise ratio | > 140 dB | |
Channel separation | > 130 dB | |
Output impedance | 2 Ω balanced (XLR) 2 Ω unbalanced (RCA) |
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Output voltage | 4 VRMS balanced (XLR) 2 VRMS unbalanced (RCA) |
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Output current max | 1 A (limited by protection circuit) | |
Volume control range | 0 to – 79 dB in 1 dB steps | |
Digital inputs | AES/EBU, SPDIF-RCA, Optical, USB, Network | |
Digital outputs | AES/EBU, SPDIF-RCA, Clock-BNC | |
Digitale formats | WAV, AIFF, FLAC, ALAC, DSF, DFF, DXD, MP3, AAC | |
Bit dept/sampling rage (max) | AES/EBU: SPDIF: Optical: USB: Network: |
24 bit/192 kHz 24 bit/192 kHz 24 bit/ 96 kHz 24 bit/384 kHz, 1 bit/5.64 MHz 24 bit/384 kHz, 1 bit/5.64 MHz |
Dimensions | 480 × 167 × 450 mm (W × H × D) |
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Weight | approx. 30 kg | |
LINK (remote turn-on) | 12 V control signal | |
USB driver | v1.22c for Win7 v1.611 for Win7 v2.26 for Win10 |

Soulution 755 Phono Preamplifier
Soulution 755 Phono Preamplifier
Highlights
Layout
Unbalanced circuit design ensures having as few components in the signal path as possible. Dual-mono layout with discrete left and right channels maximise audio purity and virtually eliminates crosstalk. Input selection (including the ground connection) is done by high-grade relay. And input buffering ensures the 755 presents a benign load to the cartridges. For all three inputs (2 × MC, 1 × MM) the gain factor and the terminating impedance are freely selectable. To suppress rumble from warped records there is an IEC subsonic filter (< 20 Hz) which will protect loudspeakers against hazardous cone excursions. Mono operation is selectable as well.
Volume control
The analog, passive volume control uses high-precision, low-noise metal foil resistors, and controls both volume and balance. To block switching peaks during volume changes which may be hazardous to power amplifiers a second volume control with PGA (Programmable Gain Amplifier) is used. Active only when the volume is changed, it is similar to a potentiometer and enables the volume to be adjusted in smooth steps without clicks. As soon as the new desired level has been selected, the unit returns control to the precision resistors.
In case the 755 Phono preamplifier is not connected directly to the power amplifier but to a line preamplifier, the volume control may be switched out of the signal path completely.
Phono module (equaliser)
The challenges to the ideal phono amplifier are immense and represent the «pièce de réstistance» for every designer of high-class audio amplifiers. With a gain of up to 80 dB (which equals an amplification factor of 10,000) the amplifier is expected to show a level and phase true behaviour, i.e. an ultra wideband quality (internal amplifier bandwidth 1 MHz/– 3 dB). At the same time it is to compensate the equalisation curve in accordance with RIAA-IEC standards. This can only be realised by means of a multi-stage amplifier concept using super-grade components.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
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Power consumption | < 0.5 W standby 60 W device in operation |
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Inputs | 2 × MC unbalanced (RCA) 1 × MM unbalanced (RCA) |
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Input impedance | MC: 10 Ω – 1000 Ω MM: 47 Ω – 47 kΩ and 0 – 750 pF |
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Outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
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Frequency response (– 3 dB) | 0 – 1 MHz | |
THD + N | < 0.002% (20 Hz – 20 kHz) | |
Signal-to-noise ratio | 100 dB | |
Channel separation | 60 dB @ 1 kHz | |
Gain (max) | MC:
MM: |
+ 78 dB balanced + 72 dB unbalanced + 66 dB balanced + 60 dB unbalanced |
Volume control range | 0 to – 79 dB in 1 dB steps | |
Output impedance | 2 Ω balanced (XLR) 2 Ω unbalanced (RCA) |
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Output voltage | 16 VRMS balanced (XLR) 8 VRMS unbalanced (RCA) |
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Output current max | 1 A (limited) | |
Dimensions | 480 × 167 × 450 mm (W × H × D) |
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Weight | approx. 30 kg | |
LINK (remote turn-on) | 12 V control signal |

Soulution 750 Phono Stage
Soulution 750 Phono Stage
Highlights
Philosophy
Building the ideal phono amplifier is the ultimate challenge for audio designers. It must work with the extremely low signal levels of moving coil (MC) cartridges while achieving low noise, low distortion, high channel separation and maximum linearity. It must provide up to 80dB gain – equivalent to raising the signal level by 10,000 – yet must exhibit level and phase accurate behaviour while adhering strictly to RIAA-IEC equalisation standards.
Design
The soulution 750 (three MC inputs) and 751 (two MC inputs, one MM input) have risen to this design challenge supremely well. Based on an advanced design around an ultra wide band (1 MHz/– 3 dB) multi-stage amplifier, both are built with the very highest quality components.
For all inputs the gain factor and the terminating impedance are freely selectable. The working bandwidth may also be chosen from either Low (200 KHz) or High (1 MHz) to within – 3 dB. To suppress rumble from warped records there is an IEC subsonic filter (< 20 Hz) which will protect loudspeakers against hazardous cone excursions. On the 750/751 there is also a key to select mono operation.
A front panel level control allows sound level balancing across the three inputs.
Mains | externally via 750 PSU or 725 | |
Power consumption | < 0.5 W standby 20 W device in operation |
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Inputs | 750: 3 × MC (RCA) 751: 2 × MC, 1 × MM (RCA) |
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Input impedance | MC: 10 Ω – 1000 Ω MM: 47 Ω – 47 kΩ and 0 – 750 pF |
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Outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
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Frequency response (– 3 dB) | 0 – 1 MHz | |
THD + N | < 0.006% (20 Hz – 20 kHz) | |
Signal-to-noise ratio | 100 dB | |
Channel separation | 60 dB @ 1 kHz | |
Gain (max) | MC:
MM: |
+ 66 dB balanced + 60 dB unbalanced + 54 dB balanced + 48 dB unbalanced |
Volume control range | 0 to – 15 dB in 3 dB steps | |
Output impedance | 10 Ω unbalanced (XLR) 10 Ω unbalanced (RCA) |
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Output voltage | 7 VRMS balanced (XLR) 3.5 VRMS unbalanced (RCA) |
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Output current max | 0.2 A (limited) | |
Dimensions | 480 × 117 × 450 mm (W × H × D) |
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Weight | approx. 17 kg | |
LINK (remote turn-on) | 12 V control signal |

Soulution 746+ SACD Player
Soulution 746+ SACD Player
Highlights
Philosophy
A CD or SACD player brings both digital and analogue domains into an audio system. For the very highest quality sound every part of the player is critical. A high-quality D/A converter alone is no longer enough. The 746 unites a top quality optical drive, a super-precise master clock generator, an intelligent digital signal processor with oversampling, and analogue output stages of the utmost quality. Together they ensure nothing in the music is lost on its way from disc to output connection.
Design
Look inside many CD/SACD players and you’ll find a lot of empty space and off the shelf electronics. soulution’s approach is somewhat different. As with our other components we’ve engineered our own circuitry and used a consistent dual mono layout throughout. Three separate power supplies – for drive, digital and analogue stages – are moved offboard into an external housing, removing a potential source of interference.
Transport
Drive quality is critical in a high-end player. For the 746 we chose the Esoteric synchromesh drive from Teac. It is mounted to massive copper chassis which are in turn affixed with damped mountings for complete mechanical isolation.
Mains | 220 – 240 V / 50 – 60 Hz | |
Model | 100 – 120 V / 50 – 60 Hz | |
Power consumption | < 0.5 W standby 60 W device in operation |
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Main Out | ||
Output voltage | 4 VRMS balanced 2 VRMS unbalanced |
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Peak Output Current | 1 A | |
Output impedance | 2 Ω balanced 2 Ω unbalanced |
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Frequency response | DC-100 kHz (depending on data format) | |
Distortion (THD) | < 0.002% | |
Signal to noise ratio (SNR) | 140 dB | |
Digital-Out | ||
Output voltage | SPDIF AES/EBU X |
500 mV p-p 5 V p-p |
Output impedance | SPDIF AES/EBU |
75 Ω 110 Ω |
Frequency | 32 – 192 kHz | |
Resolution | 16 – 24 bit | |
Digital-In | ||
Sensitivity | 0.3 – 5 V p-p | |
Input impedance | SPDIF AES/EBU |
75 Ω 110 Ω |
Frequency | 32 -192 kHz | |
Resolution | 16 – 24 bit | |
PLL – range | +/- 100 ppm | |
Clock-Output | ||
Output voltage | 5 V p-p | |
Output impedance | 75 Ω | |
Clock-frequency (adjustable) | 44.1 or 48 kHz | |
Clock-Input | ||
Input voltage | 0.3 – 5 V p-p | |
Input impedance | 75 oder 300 Ω | |
LINK-System | + 12 V |

Soulution 725 Preamplifier
Soulution 725 Preamplifier
New power supply technology
The 725’s totally redesigned power supply unit works even more precise and regulates more precise and faster than the power supply of the 720. With more than 500,000 µFarad of storage capacitance it provides almost unlimited impulse current for the analog circuits.
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W standby 60 W device in operation |
Inputs | 2 × balanced (XLR) 3 × unbalanced (RCA) 1 × Phono-MC (optional) |
Input impedance | 2 kΩ balanced (XLR) 47 kΩ unbalanced(RCA) 10 – 1000 Ω (adjustable) |
Outputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
Frequency response (– 3 dB) | 0 – 1 MHz |
THD + N | < 0.00009% (20 Hz – 20 kHz) |
Signal-to-noise ratio | > 140 dB |
Channel separation | > 110 dB |
Gain | + 9.5 dB balanced (XLR) + 3.5 dB unbalanced (RCA) + 54/60 dB Phono-MC unbalanced (optional) plus gain adaption + 3/+ 6/+ 9 dB |
Volume control range | 0 to – 79 dB in 1 dB steps |
Output impedance | 2 Ω balanced (XLR) 2 Ω unbalanced (RCA) |
Output voltage | 16 VRMS balanced (XLR) 8 VRMS unbalanced (RCA) |
Output current max | 1 A (limited by protection circuit) |
Dimensions | 480 × 167 × 450 mm |
Weight | approx. 30 kg |
LINK (remote turn-on) | 12 V control signal |

Soulution 711 Stereo Amplifier
Soulution 711 Stereo Amplifier
… than already has been achieved with the soulution 710 stereoamplifier, seems to be impossible. Still, the new soulution 711 significantly outperforms its predecessor in all disciplines! The new “switched mode” power supply technology brings the soulution 711 to new level of performance. Improvements on the test bench get confirmed by the performance in the listening room. Words alone cannot convey the performance and sheer acoustic presence of the soulution 711 stereoamplifier. We’ve combined the ultimate technical specification and highest possible performance with just one aim – to liberate the best the music has to offer. Listen like never before. Marvel. Enjoy. Without limits.
Key Features
- Audio grade “Switched Mode” power supply (4 × 600 VA )
- More than 1,000,000 µFarad storage capacity in the power supply unit
- Peak current rating of more than 120 Ampere
- Impulse power rating > 6’000 Watt
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
Power consumption | < 0.5 W standby idle 300 W max 1600 W |
Outputs | 2 pairs Cu-terminal, gold plated |
Gain | + 26 dB |
Power output | 2 × 150 W @ 8 Ω 2 × 300 W @ 4 Ω 2 × 600 W @ 2 Ω |
Pulse power | > 2 × 6000 W |
Frequency response (– 3 dB) | 0 – 1 MHz |
THD + N | < 0.001% at 50 W @ 4 Ω (20 Hz – 20 kHz) |
IM distortions | < 0.005% SMPTE < 0.0006 CCIR |
Signal-to-noise ratio | 108 dB (5 W @ 1 kHz) |
Channel separation | > 120 dB @ 1 kHz |
Damping factor | > 10 000 |
Output current max | 120 A (limited) |
Inputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
Input impedance | 4.8 kΩ balanced (XLR) 10 kΩ unbalanced (RCA) |
Dimensions | 480 × 280 × 535 mm (W × H × D) |
Weight | approx. 65 kg |
LINK (remote turn-on) | 12 V control signal |

Soulution 701 Mono Amplifier
Soulution 701 Mono Amplifier
Supported by the new “switched mode” power supply technology the soulution 701 monoamplifier sets new standards in for uncompromising music reproduction and outclasses its predecessor the soulution 700 by far. Colossal power and breath taking performance. Never has an amplifier been so close to perfection, but at the same time the technology must be subordinate – and transparent – to the music. Letting you experience music in all its natural diversity and beauty.
Key features:
- Audio grade “switched mode” power supply (4 × 600 VA )
- More than 1,000,000 µFarad storage capacity in the power supply unit
- Peak current rating of more than 120 Ampere
- Impulse power rating > 12,000 Watt
Mains | 220 – 240 V (50 – 60 Hz) 100 – 120 V (50 – 60 Hz) |
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Power consumption | < 0.5 W standby idle 300 W / 200 W max 1600 W |
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Outputs | 2 pairs Cu-terminal, gold plated |
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Gain | Dual: Mono: |
+ 26 dB + 32 dB |
Power output | 600 W @ 8 Ω (2 × 150 W*) 1200 W @ 4 Ω (2 × 300 W*) 2000 W @ 2 Ω (2 × 600 W*) *in dual mode |
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Pulse power | > 12,000 W | |
Frequency response (– 3 dB) | 0 – 2 MHz (0 – 1 MHz*) *in dual mode |
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THD + N | < 0.0003% at 50 W @ 4 Ω (20 Hz – 20 kHz) |
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IM distortions | < 0.005% SMPTE < 0.0006 CCIR |
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Signal-to-noise ratio | 108 dB (5 W @ 1 kHz) | |
Damping factor | > 10 000 | |
Output current max | 120 A (limited) | |
Inputs | 1 × balanced (XLR) 1 × unbalanced (RCA) |
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Input impedance | 2.3 kΩ balanced (XLR) 4.0 kΩ unbalanced (RCA) |
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Dimensions | 560 × 306 × 585 mm (W × H × D) |
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Weight | approx. 75 kg | |
LINK (remote turn-on) | 12 V control signal |